Performance musical e reconhecimento: a etnomusicologia da relação entre os povos Sateré-Mawé e Tikuna através do estudo do grupo musical Kuiá, da Aldeia Inhãa-bé, Manaus - AM

Abstract

In this work we seek to understand how the music is developed, practiced and thought of the Aldeia Inhãa-bé, located in the city of Manaus-AM, from one of the musical groups in Aldeia, the Kuiá group. The object of reflection of this research is limited to the sociological analysis of this musical group and its process of formation and production of songs, dances and performances, from the alliance between Yrá, Tikuna, and Pedro Hamaw, Sateré-Mawé, who Moved from their villages of origin to Manaus in the 90s of the last century and consolidated specific territorialities in the urban perimeter. Because it is a song referred to and applied to a specific situation, I set out to ask how it can be used for the reaffirmation of a collective identity lived as essential by the natives of Aldeia Inhãa-bé to distinguish themselves in the daily life of social life And to ensure their cultural reproduction. It is, therefore, a well-defined musical production that contrasts with the representation of the "generic Indian" characteristic of the preconceived views of musical colonialism