O léxico amazônico nos manuscritos de Nicodemos Sena: o início de um projeto literário
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Universidade Federal do Amazonas
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This thesis aims to analyze the Amazon lexicon found in Nicodemus Sena's note writer Manuel, which originated in the book waiting for the Never - an Amazon saga, released in 1999. The analysis aims to identify the signs of a creative process, a possible literary project of a writer under construction. The route of the investigation will be made first by the presentation of the next author of his research on the book comprising the following elements: the lexicon collected during a trip by the Maro River in the state of Pará; the storage medium, the notebook; lexico-semantic fields; the outline of the novel; title versions and dubiety of the genre; as well as thinking about genetic criticism in the context of new science. On the basis of those of genetic criticism and lexical field theory, he wrote the lexicon found in his laptop a linear transcription, marking on deletions, substitutions and deletions. With lexical field theory share the lexicon in the theme of analyzing the semantic fields used by itinerant farmers in the 1990s, the time of the survey conducted by the writer. The notes found in Nicodemus's book Sena lead us to say that to write the novel En attendant le jamais especially to give life to spaces and the displacement of the characters of farmers, the writer had to enter this Amazon world to take back the linguistic culture and insert into literary work. We believe that this lexicon is part of the beginning of a literary project that works the narratives in the Amazon, praising the Amazon man. And the Amazon lexicon brings a cultural relationship between man and nature that provided the experience and knowledge to write the novel and start your literary project as a writer.
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ORTIZ, Iza Reis Gomes. O léxico amazônico nos manuscritos de Nicodemos Sena: o início de um projeto literário. 2018. 174 f. Tese (Doutorado em Sociedade e Cultura na Amazônia) - Universidade Federal do Amazonas, Manaus, 2018.
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