Ruína e Criação: relações complexas em imagens na Casa de Cultura de Parintins

Abstract

Imagine walking in a building built more than 25 years ago, frequented by people from different urban groups and without official control over who enters or leaves the place. The building has no door, no windows, no roof and floor. Waste of litter spreads on the ground and vegetation grows according to the will of nature. We look at the walls and we notice paintings, graffiti, collages, phrases, chichos and poetry. They are proof that we are not facing a stopped or abandoned space. Within a contradictory, it is a place that produces culture, affective relations, actions that are nourished in a complex way between ruin and creation. It was this perspective built as we came in contact with the interventions present at the Parintins House of Culture, specifically with 19 photos resulting from the Christmas Without Fantasies Panel Contest held in 2015. In this sense, we share in this dissertation a research from the point of view of the artistic communicational ecosystems, aiming to understand the cultural, social and artistic dimensions of the images. In order to do so, we seek to contextualize the ecosystem with which we interact, constructing a history about the House of Culture, the work of social movements, the Panel Competition, the experience of the producers of the photographed art, and such interventions may provoke new forms of Think about different spheres of the urban. The complex epistemology proposed by Edgar Morin is understood as the research method and strategy of reflection, in order to perceive the complexity of the images and their possible dimensions. Within an interdisciplinary construction as the north of discussion, we dialogued directly with the idea proposed by Etienne Samain on how the images think. Through Mikhail Bakhtin we have the collaboration for the compression of dialogism. With the systemic theory we move towards reflection on the political and communication performance of the imagined field constructed in a context where the social and affective relations are present within the heterogeneity formed by the beings that feed the constructed noosphere and the ephemerality of the images that transcend the aspect Material and gain symbolic value constituting the Umwelt.