Agricultura, Boi-Bumbá e a festa de Parintins

Abstract

This thesis was a research developed by the Program for Graduate in Environmental Sciences and Sustainability of the Amazon – PPG/CASA and is linked to the line of research "Dynamic Socioenvironmental". His conception was given when it was realized the fact that the Parintins Festival show in bumbódromo actually the arena, from the 60, only presentations whose topics turn to the affairs or social phenomena of the Amazon daily. It was therefore essential to follow the itinerary of productive producers artists involved in that festival, trying to understand the strategies which cause this so apparent constancy of rural Amazonian context of presentations. To this end, a study of multiple cases was developed, following the actors work in three productive spatial dimensions which were named cases I, II and III, set up by UFPAgro, UFPArt and USPRepres. - Units Family Agricultural Production, Art-Craft and Representative respectively. In this follow-up were used in the case UFPAgro I and Case II - UFPArt, interviews with participants, recording the speeches of the characters during the visits, and the records in field diaries. In the case III USPRepres, whose activities take place in bumbódromo actually arena, was used ox images acquis Capricious from which were chosen the presentation of the allegories of fishing and Farinhada, dance performance of indigenous groups, as well as dance and evolution Caprichoso ox. During the research, the perception allowed the identification of a recursive circular path, traveled annually by the participants which in its production history, produce agricultural and artistically linked to a tangible system and intangible outlined by verbal and non-verbal language. These trigger an inseparable composition of the material and immaterial system in their interactions and organizations. This context potentiated the work by our condition of being physical, biological, social, cultural, psychological and spiritual constituted; using a theoretical concept constructed in the light of systemic complexity, based on Edgar Morin, focusing on the system of concepts, interactions and organization, adorned by the principles of recursive circularity; trying to show that a diversified productive circumstances are linked to joint, the identity and the difference between the system components, in contrast to the design of thought whose essence is to separate the various components, uniting them by reductive and mutilating criteria.